«My intention was to make a kind of memoir in which the narrator was only important thanks to the places through which he passed, the things that strangers told him or the handful of ashes that the past threw t him so that he would investigate the labyrinths of his memory.
»I do not present a chain of facts controlled by memory to elucidate a clear sense of the global experience, but a little mountain of experience that they don’t snag when blending into each other to compose an idea of the world, an unrepeatable identity or a self-portrait that improves the model. But the result needed to have an element of self-portrait: that of a timid person who preferred to compose the lines of his face by taking the lines of the faces of those to whom he once owed something important.»
«My intention was to make a kind of memoir in which the narrator was only important thanks to the places through which he passed, the things that strangers told him or the handful of ashes that the past threw t him so that he would investigate the labyrinths of his memory.
»I do not present a chain of facts controlled by memory to elucidate a clear sense of the global experience, but a little mountain of experience that they don’t snag when blending into each other to compose an idea of the world, an unrepeatable identity or a self-portrait that improves the model. But the result needed to have an element of self-portrait: that of a timid person who preferred to compose the lines of his face by taking the lines of the faces of those to whom he once owed something important.»
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No One Against No One | Seix Barral, 2021
Sexual Totality of the Cosmos | Seix Barral, 2019
The Book Seeker | Fundación José Manuel Lara, 2018
An Implausibility of Gnus | Pre-Textos, 2013
A Cluod in Trousers | Seix Barral, Abril 2013
Time is a Pop Dream. The Life and Work of Terenci Moix | RBA, 2012
All The Lonely People | Seix Barral, 2009
The Company of Loners | Pre-Textos, 2000
He who turns out the ligh | Pre-Textos, 1994
Based on Real Facts | Berenice, 2006
The Costa del Sol at Pop O’Clock | Fundación José Manuel Lara, 2007
The Marble Stadium | Seix Barral, 2005
Nobody Knows Anybody | Ediciones B, 1996
The Nubian Icons | Seix Barral, 2003
Tired Of Being Dead | Espasa Calpe, 1998
I am, I are, I is | Planeta, 1998 / Seix Barral, 2004
The Night of the Skylab | Espasa Calpe, 2000