Everything points to the fact that in these stories against a strange hostile life, the narrator, like the vagabond in Fez, tried to orientate himself in the maze of suicide by marking out the itinerary of his own secret, literary map: «And that makes me think of Pessoa («Travel, lose countries») and to paraphrase him: «Travel, lose suicides; lose everyone. Travel until all the noble options of death that existed have run out.»
In the prologue to this unique collection of imaginary suicides we are told of some mysterious graffiti that appeared some years ago in Fez new town, in Morocco: «It was discovered that they were done by a vagabond, a peasant emigrant who had not been able to adapt to city life and marked out itineraries on his own private map to orientate himself, superimposing them on the topography of the modern city which, to him, was strange and hostile…»
Travel and lose countries, invent characters that stop us from falling into the void, go into the open tomb of reality, pursue other lives with great fatigue, die of that extreme passion that could be love, collect storms, interiorise the dead, lose oneself, resign oneself to the greyness of life, fall into melancholy, turn into a ghost: these are some of the noble fortunes of death or ironic farewells to life that occupy the pages of this collection of subtle suicides and they trace out a disconcerting moral path through the subject of death by ones own hand, without succumbing to suicide but without escaping it either.
«It is enough to go to the critical articles of Enrique Vila-Matas to see how the originality and intelligence of his writing transcends simple critical commentary to raise it to the position of essay.» J.A. Masoliver Ródenas
Brazil: Cosac & Naify; Brazilian Newsstand: Folha de San Paulo; France: Bourgois; French Pocket: Titres; Germany: Suhrkamp; Italy: Nottetempo; Netherlands: Nijgh van Ditmar; Portugal: Assírio & Alvim; Serbia: Alexandria Press; Sweden: Aegis
Everything points to the fact that in these stories against a strange hostile life, the narrator, like the vagabond in Fez, tried to orientate himself in the maze of suicide by marking out the itinerary of his own secret, literary map: «And that makes me think of Pessoa («Travel, lose countries») and to paraphrase him: «Travel, lose suicides; lose everyone. Travel until all the noble options of death that existed have run out.»
In the prologue to this unique collection of imaginary suicides we are told of some mysterious graffiti that appeared some years ago in Fez new town, in Morocco: «It was discovered that they were done by a vagabond, a peasant emigrant who had not been able to adapt to city life and marked out itineraries on his own private map to orientate himself, superimposing them on the topography of the modern city which, to him, was strange and hostile…»
Travel and lose countries, invent characters that stop us from falling into the void, go into the open tomb of reality, pursue other lives with great fatigue, die of that extreme passion that could be love, collect storms, interiorise the dead, lose oneself, resign oneself to the greyness of life, fall into melancholy, turn into a ghost: these are some of the noble fortunes of death or ironic farewells to life that occupy the pages of this collection of subtle suicides and they trace out a disconcerting moral path through the subject of death by ones own hand, without succumbing to suicide but without escaping it either.
«It is enough to go to the critical articles of Enrique Vila-Matas to see how the originality and intelligence of his writing transcends simple critical commentary to raise it to the position of essay.» J.A. Masoliver Ródenas
Brazil: Cosac & Naify; Brazilian Newsstand: Folha de San Paulo; France: Bourgois; French Pocket: Titres; Germany: Suhrkamp; Italy: Nottetempo; Netherlands: Nijgh van Ditmar; Portugal: Assírio & Alvim; Serbia: Alexandria Press; Sweden: Aegis
Montevideo | Seix-Barral, 2022
This Senseless Fog | Seix Barral, 2019
Cabinet d'Amateur, an Oblique Novel | Whitechapel, 2019
Try Your Luck | Círculo de Tiza, 2018
Mac's Problem | Seix Barral, 2017
Marienbad Electric | Seix Barral, 2016
Kassel Does Not Call For Logic | Seix Barral, 2014
Girl | Alfaguara Infantil, 2013
Away From Here | Galaxia Gutenberg, 2013
Dylan's Air | Seix Barral, 2012
Children without Children | Anagrama, 1993; PRH/DeBolsillo, 2012
An Absolutely Wonderful Life. Selected Essays | PRH/Debolsillo, 2011
The slowest traveller. The art of finishing nothing | Anagram, 1992; Seix Barral, 2011
Chet Baker thinks about his art | RHM - DEBOLSILLO, 2011
In a Lonely Place | RHM - DEBOLSILLO, 2011
Dublinesque | Seix Barral, 2010; Debolsillo, 2011
Losing Theories | Seix Barral, 2010. Colección Únicos
She was Hemingway, I’m not Auster | Alfabia, 2008
Volatile Diary | Anagrama, 2008; PRH/DeBolsillo, 2016
Explorers in the Abyss | Anagrama, 2007
Doctor Pasavento + Bastian Schneider | Anagrama, 2005; PRH/DeBolsillo, 2016; Seix Barral, 2017
Light Wind in Parma | México, Sexto Piso, 2004 / España, 2008
Paris Never Ends | Anagrama, 2004; Seix Barral, 2013; PRH/DeBolsillo, 2014
Montano’s Malady | Anagrama, 2002; Seix Barral, 2012; PRH/DeBolsillo, 2013
Bartleby & Co | Anagrama, 2000; Seix Barral, 2015; PRH/DeBolsillo, 2016
From the Restless City | Alfaguara, 2000
The Vertical Journey | Anagrama, 1999
In Order to End Up with Round Numbers | Pre-Textos, 1997
Strange Way of Life | Anagrama, 1997; PRH/DeBolsillo, 2013
A Long Way from Veracruz | Anagrama, 1995; PRH/DeBolsillo, 2011
Invented memories | Anagrama, 1994; Compactos, 2007
A House For Ever | Anagrama, 1988 / Compactos, 2002
A Brief History of Portable Literature | Anagrama, 1985; PRH-DeBolsillo, 2015
Imposture | Anagrama, 1984
An Enlightened Murderess | Tusquets, 1977 / Lengua de Trapo, 1996 / Lumen, illustrated edition, 2005