There is a circular journey, the kind where you return to the place you set out from as described in the Odyssey.
But there is also a journey with no return; the rectilinear odyssey with no Ithaca to transform the individual who will never return home. Within this second type of journey we should include the original vertical journey on which, both geographically and in life, the main character of this novel – septuagenarian Frederico Mayol, businessman, poker player, Catalan nationalist – sets out, when the day after his golden wedding anniversary he feels surprisingly and absurdly obliged to leave his married home forever.
As always in Enrique Vila-Matas, the phantoms of ageing, solitude and madness abound and spark off the dilemma between survival and suicide. On this occasion it happens in the form of a vertical journey which is, in terms of its geographical path (Barcelona to Porto, stopping off in Lisbon and again in Madeira to finally sink in the strangest of final destinations) an Atlantic novel and at the same time the story of initiation to culture. In other words, the classic learning novel, if it weren’t for the fact that the main character is of an age when generally nobody learns anything.
And at the bottom of the whole story, is the drama of a generation of Spaniards who saw their cultural education and republican freedom truncated by the Civil War and the years of barbarity that followed.
«One of the most curious, original and seductive phenomena of Spanish narrative in our time.» Rafael Conte, ABC
«Immersed in the delicate operation of maintaining sense in the very centre of senselessness, or in other words: of returning intimate coherence to it with a masterfulness that makes him an irreplaceable author.» Ignacio Echevarría, El País
«Our most popular writer in Latin America.» J.A. Masoliver Ródenas, La Vanguardia
«The best writer in Spain today for a growing sect of fanatics scattered around the world: from Stockholm to Veracruz, from Paris to Cabo Verde, from Lisbon to Prague, from Warsaw to Buenos Aires.» Juan Forn, Page 12
Brazil: Cosac & Naify; Catalan: Funambulista; China: Beijing PH; France: Bourgois; French Pocket: 10/18; Greece: Kastaniotis; Israel; Keter; Italy: Voland; Norway: Solum; Portugal: Assirio & Alvim; Serbia: Plato; Film Rights: Mallerich Films
There is a circular journey, the kind where you return to the place you set out from as described in the Odyssey.
But there is also a journey with no return; the rectilinear odyssey with no Ithaca to transform the individual who will never return home. Within this second type of journey we should include the original vertical journey on which, both geographically and in life, the main character of this novel – septuagenarian Frederico Mayol, businessman, poker player, Catalan nationalist – sets out, when the day after his golden wedding anniversary he feels surprisingly and absurdly obliged to leave his married home forever.
As always in Enrique Vila-Matas, the phantoms of ageing, solitude and madness abound and spark off the dilemma between survival and suicide. On this occasion it happens in the form of a vertical journey which is, in terms of its geographical path (Barcelona to Porto, stopping off in Lisbon and again in Madeira to finally sink in the strangest of final destinations) an Atlantic novel and at the same time the story of initiation to culture. In other words, the classic learning novel, if it weren’t for the fact that the main character is of an age when generally nobody learns anything.
And at the bottom of the whole story, is the drama of a generation of Spaniards who saw their cultural education and republican freedom truncated by the Civil War and the years of barbarity that followed.
«One of the most curious, original and seductive phenomena of Spanish narrative in our time.» Rafael Conte, ABC
«Immersed in the delicate operation of maintaining sense in the very centre of senselessness, or in other words: of returning intimate coherence to it with a masterfulness that makes him an irreplaceable author.» Ignacio Echevarría, El País
«Our most popular writer in Latin America.» J.A. Masoliver Ródenas, La Vanguardia
«The best writer in Spain today for a growing sect of fanatics scattered around the world: from Stockholm to Veracruz, from Paris to Cabo Verde, from Lisbon to Prague, from Warsaw to Buenos Aires.» Juan Forn, Page 12
Brazil: Cosac & Naify; Catalan: Funambulista; China: Beijing PH; France: Bourgois; French Pocket: 10/18; Greece: Kastaniotis; Israel; Keter; Italy: Voland; Norway: Solum; Portugal: Assirio & Alvim; Serbia: Plato; Film Rights: Mallerich Films
                            Darkroom Canon | Seix Barral, 2025
                            Montevideo | Seix-Barral, 2022
                            This Senseless Fog | Seix Barral, 2019
                            Cabinet d'Amateur, an Oblique Novel | Whitechapel, 2019
                            Try Your Luck | Círculo de Tiza, 2018
                            Mac's Problem | Seix Barral, 2017
                            Marienbad Electric | Seix Barral, 2016
                            Kassel Does Not Call For Logic | Seix Barral, 2014
                            Girl | Alfaguara Infantil, 2013
                            Away From Here | Galaxia Gutenberg, 2013
                            Dylan's Air | Seix Barral, 2012
                            Children without Children | Anagrama, 1993; PRH/DeBolsillo, 2012
                            An Absolutely Wonderful Life. Selected Essays | PRH/Debolsillo, 2011
                            The slowest traveller. The art of finishing nothing | Anagram, 1992; Seix Barral, 2011
                            Chet Baker thinks about his art | RHM - DEBOLSILLO, 2011
                            In a Lonely Place | RHM - DEBOLSILLO, 2011
                            Dublinesque | Seix Barral, 2010; Debolsillo, 2011
                            Losing Theories | Seix Barral, 2010. Colección Únicos
                            She was Hemingway, I’m not Auster | Alfabia, 2008
                            Volatile Diary | Anagrama, 2008; PRH/DeBolsillo, 2016
                            Explorers in the Abyss | Anagrama, 2007
                            Doctor Pasavento + Bastian Schneider | Anagrama, 2005; PRH/DeBolsillo, 2016; Seix Barral, 2017
                            Light Wind in Parma | México, Sexto Piso, 2004 / España, 2008
                            Paris Never Ends | Anagrama, 2004; Seix Barral, 2013; PRH/DeBolsillo, 2014
                            Montano’s Malady | Anagrama, 2002; Seix Barral, 2012; PRH/DeBolsillo, 2013
                            Bartleby & Co | Anagrama, 2000; Seix Barral, 2015; PRH/DeBolsillo, 2016
                            From the Restless City | Alfaguara, 2000
                            In Order to End Up with Round Numbers | Pre-Textos, 1997
                            Strange Way of Life | Anagrama, 1997; PRH/DeBolsillo, 2013
                            A Long Way from Veracruz | Anagrama, 1995; PRH/DeBolsillo, 2011
                            Invented memories | Anagrama, 1994; Compactos, 2007
                            Exemplary Suicides | Anagrama, 1991; PRH/DeBolsillo, 2015
                            A House For Ever | Anagrama, 1988 / Compactos, 2002
                            A Brief History of Portable Literature | Anagrama, 1985; PRH-DeBolsillo, 2015
                            Imposture | Anagrama, 1984
                            An Enlightened Murderess | Tusquets, 1977 / Lengua de Trapo, 1996 / Lumen, illustrated edition, 2005