» Prix du Meilleur Livre Étranger (France)
» Ciudad de Barcelona Prize (Spain)
» Prix Fernando Aguirre-Libralire (France)
» Best Spanish Novel of Year (México)
– Mister Rulfo, why haven’t you written anything for so many years?
– It’s just that my Uncle Celerino died, and he’s the one who told me the stories.
This book talks about people who stop writing (Rulfo, Rimbaud, Salinger…) and looks for the reasons why each of them would prefer not to.
We all know the Bartlebys – they are those who inhabit a profound negation of the world. They take their something about his life, responded simply: “I would prefer not to”.
In Bartleby y compañía the endemic disease of contemporary letters is talked about; the negative pulse or attraction to nothing. The book’s narrator, writing a diary which is, at the same time, a notebook of footnotes commenting on an invisible text, shows his ample solvency as a tracker of Bartlebys when passing through the ‘Maze of No’, along paths considered to be the most perturbing and attractive trend in contemporary literature – a trend in which he sees the only path that remains open to true literary creation, because for him only from the negative pulse of rejection, only from the lucid Maze of No can future writing emerg.
«A brief walk, written in the form of footnotes, through the abyss and frenzy, not merely of literature (…) but of life itself.» Roberto Bolaño
«There can be no better example of Vila-Matas’ take on literature than Bartleby and Company.» Antonio Tabucchi
«A writer with an extraordinary imagination.» Mathieu Lindon, Libération
«The best active storyteller.» Rodrigo Fresán, Página 12
«The most important Spanish living author.» Bernardo Atxaga, El Dominical
Brazil: Cosac Naify; Bulgaria: Panorama; China (complex): Yuan Lion; China (simple): Horizon; Croatia: Naklada Pelago – Bozicevic; Czech Republic: Garamond; Denmark: Politisk Revy; Finland: Basam; France: Bourgois; French Pocket: Titres; Germany: Nagel & Kimche; German Pocket: Fischer Verlag; Greece: Kastaniotis; Hungary: Geopen; Italy: Feltrinelli; Japan: Sincho-Sha; South-Korea: Sodam; Lituania: Alma Littera; Netherlands: De Bezige Bij; Norway: Solum; Poland: Muza; Portugal: Assirio & Alvim; Romania: RAO; Russia: Inostranka; Serbia & Montenegro: Plato; Slovenia: Beletrina; Turkey: Dogan Kitap; UK: Harvill; US: New Directions
» Prix du Meilleur Livre Étranger (France)
» Ciudad de Barcelona Prize (Spain)
» Prix Fernando Aguirre-Libralire (France)
» Best Spanish Novel of Year (México)
– Mister Rulfo, why haven’t you written anything for so many years?
– It’s just that my Uncle Celerino died, and he’s the one who told me the stories.
This book talks about people who stop writing (Rulfo, Rimbaud, Salinger…) and looks for the reasons why each of them would prefer not to.
We all know the Bartlebys – they are those who inhabit a profound negation of the world. They take their something about his life, responded simply: “I would prefer not to”.
In Bartleby y compañía the endemic disease of contemporary letters is talked about; the negative pulse or attraction to nothing. The book’s narrator, writing a diary which is, at the same time, a notebook of footnotes commenting on an invisible text, shows his ample solvency as a tracker of Bartlebys when passing through the ‘Maze of No’, along paths considered to be the most perturbing and attractive trend in contemporary literature – a trend in which he sees the only path that remains open to true literary creation, because for him only from the negative pulse of rejection, only from the lucid Maze of No can future writing emerg.
«A brief walk, written in the form of footnotes, through the abyss and frenzy, not merely of literature (…) but of life itself.» Roberto Bolaño
«There can be no better example of Vila-Matas’ take on literature than Bartleby and Company.» Antonio Tabucchi
«A writer with an extraordinary imagination.» Mathieu Lindon, Libération
«The best active storyteller.» Rodrigo Fresán, Página 12
«The most important Spanish living author.» Bernardo Atxaga, El Dominical
Brazil: Cosac Naify; Bulgaria: Panorama; China (complex): Yuan Lion; China (simple): Horizon; Croatia: Naklada Pelago – Bozicevic; Czech Republic: Garamond; Denmark: Politisk Revy; Finland: Basam; France: Bourgois; French Pocket: Titres; Germany: Nagel & Kimche; German Pocket: Fischer Verlag; Greece: Kastaniotis; Hungary: Geopen; Italy: Feltrinelli; Japan: Sincho-Sha; South-Korea: Sodam; Lituania: Alma Littera; Netherlands: De Bezige Bij; Norway: Solum; Poland: Muza; Portugal: Assirio & Alvim; Romania: RAO; Russia: Inostranka; Serbia & Montenegro: Plato; Slovenia: Beletrina; Turkey: Dogan Kitap; UK: Harvill; US: New Directions
Montevideo | Seix-Barral, 2022
This Senseless Fog | Seix Barral, 2019
Cabinet d'Amateur, an Oblique Novel | Whitechapel, 2019
Try Your Luck | Círculo de Tiza, 2018
Mac's Problem | Seix Barral, 2017
Marienbad Electric | Seix Barral, 2016
Kassel Does Not Call For Logic | Seix Barral, 2014
Girl | Alfaguara Infantil, 2013
Away From Here | Galaxia Gutenberg, 2013
Dylan's Air | Seix Barral, 2012
Children without Children | Anagrama, 1993; PRH/DeBolsillo, 2012
An Absolutely Wonderful Life. Selected Essays | PRH/Debolsillo, 2011
The slowest traveller. The art of finishing nothing | Anagram, 1992; Seix Barral, 2011
Chet Baker thinks about his art | RHM - DEBOLSILLO, 2011
In a Lonely Place | RHM - DEBOLSILLO, 2011
Dublinesque | Seix Barral, 2010; Debolsillo, 2011
Losing Theories | Seix Barral, 2010. Colección Únicos
She was Hemingway, I’m not Auster | Alfabia, 2008
Volatile Diary | Anagrama, 2008; PRH/DeBolsillo, 2016
Explorers in the Abyss | Anagrama, 2007
Doctor Pasavento + Bastian Schneider | Anagrama, 2005; PRH/DeBolsillo, 2016; Seix Barral, 2017
Light Wind in Parma | México, Sexto Piso, 2004 / España, 2008
Paris Never Ends | Anagrama, 2004; Seix Barral, 2013; PRH/DeBolsillo, 2014
Montano’s Malady | Anagrama, 2002; Seix Barral, 2012; PRH/DeBolsillo, 2013
From the Restless City | Alfaguara, 2000
The Vertical Journey | Anagrama, 1999
In Order to End Up with Round Numbers | Pre-Textos, 1997
Strange Way of Life | Anagrama, 1997; PRH/DeBolsillo, 2013
A Long Way from Veracruz | Anagrama, 1995; PRH/DeBolsillo, 2011
Invented memories | Anagrama, 1994; Compactos, 2007
Exemplary Suicides | Anagrama, 1991; PRH/DeBolsillo, 2015
A House For Ever | Anagrama, 1988 / Compactos, 2002
A Brief History of Portable Literature | Anagrama, 1985; PRH-DeBolsillo, 2015
Imposture | Anagrama, 1984
An Enlightened Murderess | Tusquets, 1977 / Lengua de Trapo, 1996 / Lumen, illustrated edition, 2005