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El viaje vertical

The Vertical Journey | Anagrama, 1999

There is a circular journey, the kind where you return to the place you set out from as described in the Odyssey.

But there is also a journey with no return; the rectilinear odyssey with no Ithaca to transform the individual who will never return home. Within this second type of journey we should include the original vertical journey on which, both geographically and in life, the main character of this novel – septuagenarian  Frederico Mayol, businessman, poker player, Catalan nationalist – sets out, when the day after his golden wedding anniversary he feels surprisingly and absurdly obliged to leave his married home forever.

As always in Enrique Vila-Matas, the phantoms of ageing, solitude and madness abound and spark off the dilemma between survival and suicide. On this occasion it happens in the form of a vertical journey which is, in terms of its geographical path (Barcelona to Porto, stopping off in Lisbon and again in Madeira to finally sink in the strangest of final destinations) an Atlantic novel and at the same time the story of initiation to culture. In other words, the classic learning novel, if it weren’t for the fact that the main character is of an age when generally nobody learns anything.

And at the bottom of the whole story, is the drama of a generation of Spaniards who saw their cultural education and republican freedom truncated by the Civil War and the years of barbarity that followed.

 

PRESS

«One of the most curious, original and seductive phenomena of Spanish narrative in our time.» Rafael Conte, ABC

«Immersed in the delicate operation of maintaining sense in the very centre of senselessness, or in other words: of returning intimate coherence to it with a masterfulness that makes him an irreplaceable author.» Ignacio Echevarría, El País

«Our most popular writer in Latin America.» J.A. Masoliver Ródenas, La Vanguardia

«The best writer in Spain today for a growing sect of fanatics scattered around the world: from Stockholm to Veracruz, from Paris to Cabo Verde, from Lisbon to Prague, from Warsaw to Buenos Aires.» Juan Forn, Page 12

TRANSLATIONS

Brazil: Cosac & Naify; Catalan: Funambulista; China: Beijing PH; France: Bourgois; French Pocket: 10/18; Greece: Kastaniotis; Israel; Keter; Italy: Voland;  Norway: Solum; Portugal: Assirio & Alvim; Serbia: Plato; Film Rights: Mallerich Films

El viaje vertical

The Vertical Journey | Anagrama, 1999

There is a circular journey, the kind where you return to the place you set out from as described in the Odyssey.

But there is also a journey with no return; the rectilinear odyssey with no Ithaca to transform the individual who will never return home. Within this second type of journey we should include the original vertical journey on which, both geographically and in life, the main character of this novel – septuagenarian  Frederico Mayol, businessman, poker player, Catalan nationalist – sets out, when the day after his golden wedding anniversary he feels surprisingly and absurdly obliged to leave his married home forever.

As always in Enrique Vila-Matas, the phantoms of ageing, solitude and madness abound and spark off the dilemma between survival and suicide. On this occasion it happens in the form of a vertical journey which is, in terms of its geographical path (Barcelona to Porto, stopping off in Lisbon and again in Madeira to finally sink in the strangest of final destinations) an Atlantic novel and at the same time the story of initiation to culture. In other words, the classic learning novel, if it weren’t for the fact that the main character is of an age when generally nobody learns anything.

And at the bottom of the whole story, is the drama of a generation of Spaniards who saw their cultural education and republican freedom truncated by the Civil War and the years of barbarity that followed.

 

PRESS

«One of the most curious, original and seductive phenomena of Spanish narrative in our time.» Rafael Conte, ABC

«Immersed in the delicate operation of maintaining sense in the very centre of senselessness, or in other words: of returning intimate coherence to it with a masterfulness that makes him an irreplaceable author.» Ignacio Echevarría, El País

«Our most popular writer in Latin America.» J.A. Masoliver Ródenas, La Vanguardia

«The best writer in Spain today for a growing sect of fanatics scattered around the world: from Stockholm to Veracruz, from Paris to Cabo Verde, from Lisbon to Prague, from Warsaw to Buenos Aires.» Juan Forn, Page 12

TRANSLATIONS

Brazil: Cosac & Naify; Catalan: Funambulista; China: Beijing PH; France: Bourgois; French Pocket: 10/18; Greece: Kastaniotis; Israel; Keter; Italy: Voland;  Norway: Solum; Portugal: Assirio & Alvim; Serbia: Plato; Film Rights: Mallerich Films

Montevideo

Montevideo | Seix-Barral, 2022

Esta bruma insensata

This Senseless Fog | Seix Barral, 2019

Cabinet d’amateur, an oblique novel

Cabinet d'Amateur, an Oblique Novel | Whitechapel, 2019

Impón tu suerte

Try Your Luck | Círculo de Tiza, 2018

Mac y su contratiempo

Mac's Problem | Seix Barral, 2017

Marienbad eléctrico

Marienbad Electric | Seix Barral, 2016

Kassel no invita a la lógica

Kassel Does Not Call For Logic | Seix Barral, 2014

Niña

Girl | Alfaguara Infantil, 2013

Fuera de aquí

Away From Here | Galaxia Gutenberg, 2013

Aire de Dylan

Dylan's Air | Seix Barral, 2012

Hijos sin hijos

Children without Children | Anagrama, 1993; PRH/DeBolsillo, 2012

Una vida absolutamente maravillosa. Ensayos selectos

An Absolutely Wonderful Life. Selected Essays | PRH/Debolsillo, 2011

El viajero más lento. El arte de no terminar nada

The slowest traveller. The art of finishing nothing | Anagram, 1992; Seix Barral, 2011

Chet Baker piensa en su arte. Relatos selectos

Chet Baker thinks about his art | RHM - DEBOLSILLO, 2011

En un lugar solitario. Narrativa 1973-1984

In a Lonely Place | RHM - DEBOLSILLO, 2011

Dublinesca

Dublinesque | Seix Barral, 2010; Debolsillo, 2011

Perder teorías

Losing Theories | Seix Barral, 2010. Colección Únicos

Ella era Hemingway / No soy Auster

She was Hemingway, I’m not Auster | Alfabia, 2008

Dietario Voluble

Volatile Diary | Anagrama, 2008; PRH/DeBolsillo, 2016

Exploradores del abismo

Explorers in the Abyss | Anagrama, 2007

Doctor Pasavento + Bastian Schneider

Doctor Pasavento + Bastian Schneider | Anagrama, 2005; PRH/DeBolsillo, 2016; Seix Barral, 2017

El viento ligero en Parma

Light Wind in Parma | México, Sexto Piso, 2004 / España, 2008

París no se acaba nunca

Paris Never Ends | Anagrama, 2004; Seix Barral, 2013; PRH/DeBolsillo, 2014

El mal de Montano

Montano’s Malady | Anagrama, 2002; Seix Barral, 2012; PRH/DeBolsillo, 2013

Bartleby y compañía

Bartleby & Co | Anagrama, 2000; Seix Barral, 2015; PRH/DeBolsillo, 2016

Desde la ciudad nerviosa

From the Restless City | Alfaguara, 2000

Para acabar con los números redondos

In Order to End Up with Round Numbers | Pre-Textos, 1997

Extraña forma de vida

Strange Way of Life | Anagrama, 1997; PRH/DeBolsillo, 2013

Lejos de Veracruz

A Long Way from Veracruz | Anagrama, 1995; PRH/DeBolsillo, 2011

Recuerdos inventados

Invented memories | Anagrama, 1994; Compactos, 2007

Suicidios ejemplares

Exemplary Suicides | Anagrama, 1991; PRH/DeBolsillo, 2015

Una casa para siempre

A House For Ever | Anagrama, 1988 / Compactos, 2002

Historia abreviada de la literatura portátil

A Brief History of Portable Literature | Anagrama, 1985; PRH-DeBolsillo, 2015

Impostura

Imposture | Anagrama, 1984

La asesina ilustrada

An Enlightened Murderess | Tusquets, 1977 / Lengua de Trapo, 1996 / Lumen, illustrated edition, 2005