There is a circular journey, the kind where you return to the place you set out from as described in the Odyssey.
But there is also a journey with no return; the rectilinear odyssey with no Ithaca to transform the individual who will never return home. Within this second type of journey we should include the original vertical journey on which, both geographically and in life, the main character of this novel – septuagenarian Frederico Mayol, businessman, poker player, Catalan nationalist – sets out, when the day after his golden wedding anniversary he feels surprisingly and absurdly obliged to leave his married home forever.
As always in Enrique Vila-Matas, the phantoms of ageing, solitude and madness abound and spark off the dilemma between survival and suicide. On this occasion it happens in the form of a vertical journey which is, in terms of its geographical path (Barcelona to Porto, stopping off in Lisbon and again in Madeira to finally sink in the strangest of final destinations) an Atlantic novel and at the same time the story of initiation to culture. In other words, the classic learning novel, if it weren’t for the fact that the main character is of an age when generally nobody learns anything.
And at the bottom of the whole story, is the drama of a generation of Spaniards who saw their cultural education and republican freedom truncated by the Civil War and the years of barbarity that followed.
«One of the most curious, original and seductive phenomena of Spanish narrative in our time.» Rafael Conte, ABC
«Immersed in the delicate operation of maintaining sense in the very centre of senselessness, or in other words: of returning intimate coherence to it with a masterfulness that makes him an irreplaceable author.» Ignacio Echevarría, El País
«Our most popular writer in Latin America.» J.A. Masoliver Ródenas, La Vanguardia
«The best writer in Spain today for a growing sect of fanatics scattered around the world: from Stockholm to Veracruz, from Paris to Cabo Verde, from Lisbon to Prague, from Warsaw to Buenos Aires.» Juan Forn, Page 12
Brazil: Cosac & Naify; Catalan: Funambulista; China: Beijing PH; France: Bourgois; French Pocket: 10/18; Greece: Kastaniotis; Israel; Keter; Italy: Voland; Norway: Solum; Portugal: Assirio & Alvim; Serbia: Plato; Film Rights: Mallerich Films
There is a circular journey, the kind where you return to the place you set out from as described in the Odyssey.
But there is also a journey with no return; the rectilinear odyssey with no Ithaca to transform the individual who will never return home. Within this second type of journey we should include the original vertical journey on which, both geographically and in life, the main character of this novel – septuagenarian Frederico Mayol, businessman, poker player, Catalan nationalist – sets out, when the day after his golden wedding anniversary he feels surprisingly and absurdly obliged to leave his married home forever.
As always in Enrique Vila-Matas, the phantoms of ageing, solitude and madness abound and spark off the dilemma between survival and suicide. On this occasion it happens in the form of a vertical journey which is, in terms of its geographical path (Barcelona to Porto, stopping off in Lisbon and again in Madeira to finally sink in the strangest of final destinations) an Atlantic novel and at the same time the story of initiation to culture. In other words, the classic learning novel, if it weren’t for the fact that the main character is of an age when generally nobody learns anything.
And at the bottom of the whole story, is the drama of a generation of Spaniards who saw their cultural education and republican freedom truncated by the Civil War and the years of barbarity that followed.
«One of the most curious, original and seductive phenomena of Spanish narrative in our time.» Rafael Conte, ABC
«Immersed in the delicate operation of maintaining sense in the very centre of senselessness, or in other words: of returning intimate coherence to it with a masterfulness that makes him an irreplaceable author.» Ignacio Echevarría, El País
«Our most popular writer in Latin America.» J.A. Masoliver Ródenas, La Vanguardia
«The best writer in Spain today for a growing sect of fanatics scattered around the world: from Stockholm to Veracruz, from Paris to Cabo Verde, from Lisbon to Prague, from Warsaw to Buenos Aires.» Juan Forn, Page 12
Brazil: Cosac & Naify; Catalan: Funambulista; China: Beijing PH; France: Bourgois; French Pocket: 10/18; Greece: Kastaniotis; Israel; Keter; Italy: Voland; Norway: Solum; Portugal: Assirio & Alvim; Serbia: Plato; Film Rights: Mallerich Films
Montevideo | Seix-Barral, 2022
This Senseless Fog | Seix Barral, 2019
Cabinet d'Amateur, an Oblique Novel | Whitechapel, 2019
Try Your Luck | Círculo de Tiza, 2018
Mac's Problem | Seix Barral, 2017
Marienbad Electric | Seix Barral, 2016
Kassel Does Not Call For Logic | Seix Barral, 2014
Girl | Alfaguara Infantil, 2013
Away From Here | Galaxia Gutenberg, 2013
Dylan's Air | Seix Barral, 2012
Children without Children | Anagrama, 1993; PRH/DeBolsillo, 2012
An Absolutely Wonderful Life. Selected Essays | PRH/Debolsillo, 2011
The slowest traveller. The art of finishing nothing | Anagram, 1992; Seix Barral, 2011
Chet Baker thinks about his art | RHM - DEBOLSILLO, 2011
In a Lonely Place | RHM - DEBOLSILLO, 2011
Dublinesque | Seix Barral, 2010; Debolsillo, 2011
Losing Theories | Seix Barral, 2010. Colección Únicos
She was Hemingway, I’m not Auster | Alfabia, 2008
Volatile Diary | Anagrama, 2008; PRH/DeBolsillo, 2016
Explorers in the Abyss | Anagrama, 2007
Doctor Pasavento + Bastian Schneider | Anagrama, 2005; PRH/DeBolsillo, 2016; Seix Barral, 2017
Light Wind in Parma | México, Sexto Piso, 2004 / España, 2008
Paris Never Ends | Anagrama, 2004; Seix Barral, 2013; PRH/DeBolsillo, 2014
Montano’s Malady | Anagrama, 2002; Seix Barral, 2012; PRH/DeBolsillo, 2013
Bartleby & Co | Anagrama, 2000; Seix Barral, 2015; PRH/DeBolsillo, 2016
From the Restless City | Alfaguara, 2000
In Order to End Up with Round Numbers | Pre-Textos, 1997
Strange Way of Life | Anagrama, 1997; PRH/DeBolsillo, 2013
A Long Way from Veracruz | Anagrama, 1995; PRH/DeBolsillo, 2011
Invented memories | Anagrama, 1994; Compactos, 2007
Exemplary Suicides | Anagrama, 1991; PRH/DeBolsillo, 2015
A House For Ever | Anagrama, 1988 / Compactos, 2002
A Brief History of Portable Literature | Anagrama, 1985; PRH-DeBolsillo, 2015
Imposture | Anagrama, 1984
An Enlightened Murderess | Tusquets, 1977 / Lengua de Trapo, 1996 / Lumen, illustrated edition, 2005