A masterful novel that can be read on several levels, with twists and turns and truly inspired flights of fancy.
Newly jobless, Mac takes his daily stroll through El Coyote, the Barcelona neighbourhood he calls home. He is obsessed with his neighbour, a famous, acclaimed author, and is put out each time the man snubs him. One day he overhears his neighbour chatting with a bookseller about his first novel Walter and His Setback, a youthful work filled with jarring passages, of which he has a vague recollection, and Mac, who is toying with the idea of putting pen to paper, takes it upon himself to rewrite and improve on this fictional debut, one his neighbour would prefer to consign to the vaults.
«The work of Vila-Matas is largely conceptual and can create addiction. His reputation as a cult author grows with each new book.» Valerie Miles, The New York Times
«A brilliant work that leaves you breathless […] A genuine “research” on the process of literary creation. A homage to the complexity, the struggles and the exaltation of the work of writers.» Guillaume Le Douarin, L’Écume des Pages
«As per usual, a novel with literature as the main character.» Mathieu Lindon, Libération
«If there is an author today who loves to play with literary games and impostures, that is Enrique Vila-Matas. He never forgets that a theoretical idea is by no means irreconcilable with playful pleasure.» L´’Express
«A masterpiece in the literary puzzle that Vila-Matas weaves endlessly.» Kerenn Elkaïm, Le Soir
«This original novel is fully-rounded and delightful, written with a great deal of humour, but above all as it is intelligent, not something you come across every day. I enjoyed it enormously.» Eduardo Mendoza
«Vila-Matas’s sense of humor — bookish to the extreme — transported me to a utopic world where the unspeakable was not only translatable into language but it was also darkly humorous, electric, and full of references that delighted me. I’ve since devoured the rest of Vila-Matas’s work, entering what I like to call the mischievous and extraordinarily intelligent Vila-Mata-Verse. And I intend to remain there.» Azareen Van der Vliet, Los Angeles Times
«Diary, essay, thriller, conspiracy theory, posthumous memoir, novel—Vila-Matas uses all the materials to construct his latest metafictional fun house.» Kirkus
«[Vila-Matas] charges the various tensions in his hybridized book: the artificial nature of plot and the apparent triviality of day-to-day existence, how life imitates art and art imitates life… Mac’s Problem boasts an impressive architecture.» Eric Banks, Bookforum
«In this lively and inquisitive work of metafiction, a story about stories, Vila-Matas is as deliberate as he is playful, and induces the not altogether unpleasant sensation of getting lost ever deeper in a literary hall of mirrors.» Alastair Mabbott, The Herald
«There are few authors who provoke such unanimous praise for excellence as Enrique Vila-Matas, master of literature and metaliterature. His latest novel is magnificent, complete, one of his best works and one of the clearest tributes I have ever read to the creativity of oral story-telling and writing (…) One of our most original writers is here to tell us that originality, – not being repetitive- is not in itself a literary quality.» J.M. Pozuelo Yvancos, ABC Cultural
«A powerful story about how to create fiction with one’s own fiction and a love letter to literature.» Inés Martín Rodrigo, ABC
«Its pages reveal a profound, fundamental lyricism, a style that finds its own voice and a phrasing that is one-of-a-kind, the simple and the complex, the secret, overlooked story that lies beneath the main plotline…» Ana Rodríguez Fischer, El País
«For those who have never read his works and want to enter his world and for his many fans, everyone will find that Vila-Matas is in top form. A carousel of literary emotions.» Carles Geli, El País
«A modern novel, written with a surprising and playful style that confirms Vila-Matas as an author who can still claim to be a beginner and an adventurer, that is, that he keeps experimenting and obtaining valuable variations.» Nadal Suau, El Mundo
«A hilarious literary turn of the screw beyond metaliterature. Pure Vila-Matas.» Matías Néspolo, El Mundo
«One of his most complex works on the subject of literary creation and his own writing. Another great novel by Vila-Matas, full of humor, surprises and quests.» J.A. Masoliver Ródenas, La Vanguardia
«A consummate, uninterrupted work of art. Vila-Matas has written one of his most significant and most graceful books.» Miguel Muñoz, Otra Parte
Arabic: Al Mada; Brazil: Companhia das Letras; France: Bourgois; Germany: Wallstein; Greece: Ikaros; Italy: Feltrinelli; Portugal: Teodolito; Romania: Vellant; Russia: Eksmo; Sweden: Tranan; Turkey: Jaguar; UK & Australia: Harvill; US: New Directions
A masterful novel that can be read on several levels, with twists and turns and truly inspired flights of fancy.
Newly jobless, Mac takes his daily stroll through El Coyote, the Barcelona neighbourhood he calls home. He is obsessed with his neighbour, a famous, acclaimed author, and is put out each time the man snubs him. One day he overhears his neighbour chatting with a bookseller about his first novel Walter and His Setback, a youthful work filled with jarring passages, of which he has a vague recollection, and Mac, who is toying with the idea of putting pen to paper, takes it upon himself to rewrite and improve on this fictional debut, one his neighbour would prefer to consign to the vaults.
«The work of Vila-Matas is largely conceptual and can create addiction. His reputation as a cult author grows with each new book.» Valerie Miles, The New York Times
«A brilliant work that leaves you breathless […] A genuine “research” on the process of literary creation. A homage to the complexity, the struggles and the exaltation of the work of writers.» Guillaume Le Douarin, L’Écume des Pages
«As per usual, a novel with literature as the main character.» Mathieu Lindon, Libération
«If there is an author today who loves to play with literary games and impostures, that is Enrique Vila-Matas. He never forgets that a theoretical idea is by no means irreconcilable with playful pleasure.» L´’Express
«A masterpiece in the literary puzzle that Vila-Matas weaves endlessly.» Kerenn Elkaïm, Le Soir
«This original novel is fully-rounded and delightful, written with a great deal of humour, but above all as it is intelligent, not something you come across every day. I enjoyed it enormously.» Eduardo Mendoza
«Vila-Matas’s sense of humor — bookish to the extreme — transported me to a utopic world where the unspeakable was not only translatable into language but it was also darkly humorous, electric, and full of references that delighted me. I’ve since devoured the rest of Vila-Matas’s work, entering what I like to call the mischievous and extraordinarily intelligent Vila-Mata-Verse. And I intend to remain there.» Azareen Van der Vliet, Los Angeles Times
«Diary, essay, thriller, conspiracy theory, posthumous memoir, novel—Vila-Matas uses all the materials to construct his latest metafictional fun house.» Kirkus
«[Vila-Matas] charges the various tensions in his hybridized book: the artificial nature of plot and the apparent triviality of day-to-day existence, how life imitates art and art imitates life… Mac’s Problem boasts an impressive architecture.» Eric Banks, Bookforum
«In this lively and inquisitive work of metafiction, a story about stories, Vila-Matas is as deliberate as he is playful, and induces the not altogether unpleasant sensation of getting lost ever deeper in a literary hall of mirrors.» Alastair Mabbott, The Herald
«There are few authors who provoke such unanimous praise for excellence as Enrique Vila-Matas, master of literature and metaliterature. His latest novel is magnificent, complete, one of his best works and one of the clearest tributes I have ever read to the creativity of oral story-telling and writing (…) One of our most original writers is here to tell us that originality, – not being repetitive- is not in itself a literary quality.» J.M. Pozuelo Yvancos, ABC Cultural
«A powerful story about how to create fiction with one’s own fiction and a love letter to literature.» Inés Martín Rodrigo, ABC
«Its pages reveal a profound, fundamental lyricism, a style that finds its own voice and a phrasing that is one-of-a-kind, the simple and the complex, the secret, overlooked story that lies beneath the main plotline…» Ana Rodríguez Fischer, El País
«For those who have never read his works and want to enter his world and for his many fans, everyone will find that Vila-Matas is in top form. A carousel of literary emotions.» Carles Geli, El País
«A modern novel, written with a surprising and playful style that confirms Vila-Matas as an author who can still claim to be a beginner and an adventurer, that is, that he keeps experimenting and obtaining valuable variations.» Nadal Suau, El Mundo
«A hilarious literary turn of the screw beyond metaliterature. Pure Vila-Matas.» Matías Néspolo, El Mundo
«One of his most complex works on the subject of literary creation and his own writing. Another great novel by Vila-Matas, full of humor, surprises and quests.» J.A. Masoliver Ródenas, La Vanguardia
«A consummate, uninterrupted work of art. Vila-Matas has written one of his most significant and most graceful books.» Miguel Muñoz, Otra Parte
Arabic: Al Mada; Brazil: Companhia das Letras; France: Bourgois; Germany: Wallstein; Greece: Ikaros; Italy: Feltrinelli; Portugal: Teodolito; Romania: Vellant; Russia: Eksmo; Sweden: Tranan; Turkey: Jaguar; UK & Australia: Harvill; US: New Directions
Montevideo | Seix-Barral, 2022
This Senseless Fog | Seix Barral, 2019
Cabinet d'Amateur, an Oblique Novel | Whitechapel, 2019
Try Your Luck | Círculo de Tiza, 2018
Marienbad Electric | Seix Barral, 2016
Kassel Does Not Call For Logic | Seix Barral, 2014
Girl | Alfaguara Infantil, 2013
Away From Here | Galaxia Gutenberg, 2013
Dylan's Air | Seix Barral, 2012
Children without Children | Anagrama, 1993; PRH/DeBolsillo, 2012
An Absolutely Wonderful Life. Selected Essays | PRH/Debolsillo, 2011
The slowest traveller. The art of finishing nothing | Anagram, 1992; Seix Barral, 2011
Chet Baker thinks about his art | RHM - DEBOLSILLO, 2011
In a Lonely Place | RHM - DEBOLSILLO, 2011
Dublinesque | Seix Barral, 2010; Debolsillo, 2011
Losing Theories | Seix Barral, 2010. Colección Únicos
She was Hemingway, I’m not Auster | Alfabia, 2008
Volatile Diary | Anagrama, 2008; PRH/DeBolsillo, 2016
Explorers in the Abyss | Anagrama, 2007
Doctor Pasavento + Bastian Schneider | Anagrama, 2005; PRH/DeBolsillo, 2016; Seix Barral, 2017
Light Wind in Parma | México, Sexto Piso, 2004 / España, 2008
Paris Never Ends | Anagrama, 2004; Seix Barral, 2013; PRH/DeBolsillo, 2014
Montano’s Malady | Anagrama, 2002; Seix Barral, 2012; PRH/DeBolsillo, 2013
Bartleby & Co | Anagrama, 2000; Seix Barral, 2015; PRH/DeBolsillo, 2016
From the Restless City | Alfaguara, 2000
The Vertical Journey | Anagrama, 1999
In Order to End Up with Round Numbers | Pre-Textos, 1997
Strange Way of Life | Anagrama, 1997; PRH/DeBolsillo, 2013
A Long Way from Veracruz | Anagrama, 1995; PRH/DeBolsillo, 2011
Invented memories | Anagrama, 1994; Compactos, 2007
Exemplary Suicides | Anagrama, 1991; PRH/DeBolsillo, 2015
A House For Ever | Anagrama, 1988 / Compactos, 2002
A Brief History of Portable Literature | Anagrama, 1985; PRH-DeBolsillo, 2015
Imposture | Anagrama, 1984
An Enlightened Murderess | Tusquets, 1977 / Lengua de Trapo, 1996 / Lumen, illustrated edition, 2005